Kevin Parker's fourth Tame Impala transmission arrived with mid-pandemic timing that felt cruelly prophetic, its obsession with temporal drift and mortality suddenly literal rather than conceptual. Recording every instrument himself across three years, Parker crafted a disco-psychedelia that's simultaneously anxious and narcotized, where Borderline's groove wobbles like reality itself and Posthumous Forgiveness confronts his late father with unexpected directness.

The production gleams with obsessive detail, each synth layer and drum machine hit placed with jeweller's precision, proving Parker's studio mastery whilst revealing the loneliness inherent in such control.