
Ram
Paul McCartney's gleefully ramshackle second solo outing arrived amid Beatles wreckage and critical sneering, its vaudeville whimsy and domestic charm dismissed as lightweight trifling. Recorded quickly in New York with Linda on harmonies and minimal session help, Ram threw together music hall pianos, slack country rock, and that unforgettable Uncle Albert/Admiral Halsey orchestral detour.
What seemed like regressive eccentricity in 1971 now reads as proto-indie fearlessness, its lo-fi charm and melodic abundance influencing generations of bedroom pop auteurs who recognised McCartney's shaggy genius before the critics caught up.
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