Phew's third solo album arrives after a decade-long retreat, distilling her post-Aunt Sally experiments into skeletal electronic forms that refuse easy categorisation. Where her late-seventies post-punk snarled and spat, Our Likeness floats through industrial debris and ambient drift with that same detached vocal presence now serving as spectral guide through minimalist soundscapes.

Released through Meldac to little fanfare outside Japan, the album has gained traction through recent reissues, revealing an artist who'd quietly been mapping experimental territory while others chased trends.