
Lady Soul
Aretha Franklin's third Atlantic triumph captures 1968's Queen of Soul delivering sermon after sermon, with Chain of Fools and (You Make Me Feel Like) A Natural Woman already establishing the template: gospel heat applied to pop structures until they buckle and transcend.
Jerry Wexler's production lets the Muscle Shoals rhythm section and New York sessioneers create the perfect sanctified groove while Carolyn Franklin's Ain't No Way proves family understands what that voice requires. The album title wasn't marketing, it was coronation, the moment when Franklin's dominance became inarguable fact.
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