Anna B Savage's second album pushes against the piano-confessional framework of her debut, collaborating with Mike Lindsay to build electronic architectures around her unflinching emotional directness. The vocal manipulations and synthesiser pulses on tracks like The Ghost suggest not abandonment of intensity but its refraction through new textures.

Where A Common Turn felt like overheard therapy, in|FLUX sounds like the aftermath, processing transformation through drum machines and layered production. The title's punctuation hints at the in-between states Savage navigates, neither fixed nor fully dissolved.